![]() ![]() In the 1986 draft of "Roger Rabbit" - then titled "Who Shot Roger Rabbit?" - screenwriters Jeffrey Price and Peter S. More observant viewers may also notice that Doom always avoids physically coming into contact with the Dip, despite the substance being harmless to human beings.Ĭertain details about Doom's past as a character were also discussed prior to filming. It makes him even more ominous, more scary, if he's just looking like that," said Lloyd in a Disney+ Q&A on Twitter. "I just felt a toon doesn't have to blink their eyes to remoisten their eyeballs. To cater to this, the animators placed Daffy Duck in the dueling pianos scene with Donald Duck, had Bugs Bunny appear in the skydiving scene with Mickey, and had Porky Pig appear with Tinkerbell in the movie's closing moments.įor example, whenever Doom's eyes are shown on screen, Christopher Lloyd deliberately avoided blinking, both as a way to unsettle viewers and because Doom - as a toon - wouldn't need to blink. requested that their characters receive the same amount of screen time as Disney's, or were placed alongside them in several key scenes. also requested several smaller concessions that Spielberg and his team were expected to fulfill in order to use the studio's characters in the movie. In addition to monetary fees, Warner Bros. into the fold, with the studio agreeing to allow their characters' appearance in the film for a flat rate of $5,000 per character ( via The Hollywood Reporter). As part of these negotiations, Spielberg was able to bring Warner Bros. Many of these fleeting images are more the product of the power of suggestion than animators' intentions, however.While Disney Studios saw to the distribution of the film and guaranteed the filmmakers the rights to their characters, "Roger Rabbit" executive producer Steven Spielberg had to negotiate the rights of certain characters from other studios. With the advent of home video and laserdisc players which allow viewers to examine scenes frame-by-frame, these gags can be spotted by sharp-eyed film watchers. If the phone number was in the film originally (as rumor has it was), it was removed before the home versions of the movie were made available.Īnimators have traditionally amused themselves by slipping occasional racy frames or other gags into their work, frames which flash on the screen far too briefly to be detected by theater audiences. Although the "Allyson Wonderland" graffiti is clearly visible on laserdisc, Eisner's phone number is not. Allegedly, Disney chairman Michael Eisner's phone number replaces the latter phrase for one frame. ![]() ![]() Graffiti on the wall reads "For a good time, call Allyson Wonderland", with the phrase "The Best Is Yet to Be" appearing underneath it. In another scene, Bob Hoskins steps into a Toon Town men's room.This scene can indeed be seen on the home video release and was clearly intentional. ![]() Watched frame-by-frame, the scene reveals Baby Herman extending his middle finger just before jumping underneath the skirt and re-emerging with a spot of drool on his upper lip. The intention might have been to paint the darker regions a color representative of underwear, but an error in the color markup chart produced some ambiguous images instead:Ī scene at the beginning of the film depicts a diaper-clad Baby Herman stomping off the set and underneath the dress of a woman. Whether this coloration was intended to suggest nudity or was the result of a paint error is unknown. For a few frames of Jessica's second spin her underwear supposedly disappears, revealing Jessica's unclothed nether regions.The frames in question are frames 2170-2172 on side 4 of the laserdisc version in these frames Jessica's pubic region is colored darker than the surrounding flesh-colored areas. As the taxi runs into a lamp post, Jessica and Hoskins are both thrown from the car Jessica lands spinning, which causes her red dress to start hiking up her body.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |